3.23.2012

JeongMe Yoon - Pink & Blue and Lots of It


L is  familiar with the pink "phenomenon," having washed loads and loads of exclusively pink clothes for 3 years.  L spent her own childhood in blue hand-me-down clothes, a victim of her own mother's practicality having grown up during the Great Depression. JeongMee Yoon's work reminds us all why some colors should be banned (except in the case of Elsa Schapiarelli). 
As girls grow older, their taste for pink changes. Until about 2nd grade, they are very obsessed with the color pink, but around 3rd or 4th grade, they do not obsess with pink as much anymore. Usually, their tastes change to purple. Later, there is another shift. However, the original association with the color-code often remains….. 
Seowoo and Her Pink Things


Sunjae_Seungjae and His Blue Things
Buddist Shop

I am fascinated with the accumulation of things. Themes of my past photographic series include: “Zoo” (1998-1999); “Natural History Museum” (2001); “Space-Man-Space” (2000-2004); and images of a toy collector's possessions (2004). The “Zoo” and “Natural History Museum” series explored artificial environments that are arranged and organized through predetermined classifications.

Ultimately, more interesting and  disturbing in The Pink & Blue Project is the reference to the lessons we teach our children about  obsessing/materialism/consumerism. It's an impressive example of contemporary "natural history,"as well as pretty darn grotesque.

Gwen Hardie - Written on the Body


When we began the photographs which have become All Things Are Always Changing, we saw that the scars we accumulate on our bodies are the documentation of  life's experiences: childbirth, fracture, rupture, disease.  
Gwen Hardie's paintings view flesh intimately,  evoking thoughts of identity and an ancient genetic heritage.

Body-08.01.08

body-1.24.11

body.02.06.08
Of her work, Body Tondi, Hardie writes, "The surface of the human body is an amazing membrane. It bears witness to the person living inside; an independent individual and yet closer inspection of the skin reveals that the body is made up of moving elements that are universal and part of the greater natural world."
Drawing 2

2.24.2012

Big Chick's Photography Collection

Our friend and favorite collector/patron, Michelle Fire, joined others in conveying the glories of her life collecting photography.

Collecting Seminar: Live with Art
Milwaukee Art Museum
Saturday, February 18, 2012
Tom Gitterman of Gitterman Gallery in New York presented amazing photographs and addressed all topics related to building a photography collection. After lunch, Lisa Hostetler  moderated a panel discussion with Tom Gitterman, Michelle Fire of Big Chicks, and Milwaukee Collector,  Dr. Tony Krausen.



Images from Michelle's Big Chicks and her home.

2.17.2012

Immortalized - Women & Leadership Archive

Thanks to B's efforts, we join many other artists in the Loyola University Libraries' Digital Special Collections.
Our work is housed in the Women & Leadership Archives which collects, preserves, organizes, describes, and makes available materials of enduring value to researchers studying women's leadership activities. The WLA strives to promote knowledge and understanding of women’s many diverse and important contributions to society through active collection development, research, and the facilitation of learning about women’s history. The Women & Leadership Archives functions as a public facility in addition to serving the Loyola University Chicago community.
A sampling of our documentation may be found in

Chicago has been home to many female artists for  years, each with her own unique career, point of view, politics, and form of expression. Whether teaching, creating art for public spaces, or making a social commentary, these women have all made contributions to Chicago’s dynamic art community. The Chicago Women Artists online exhibit provides a sampling of several women artists’ collections that have been recently acquired by the Women and Leadership Archives. The exhibit includes a variety of materials that provide an overview of ten artist’s careers: artwork, exhibition catalogs, press coverage, correspondence, photographs, resumes, artists’ statements and other unique documents. The ten featured collections include those of Barbara Ciurej and Lindsay Lochman Mary-Ellen Croteau, Kathryn Kucera, Margot McMahon, Jacqueline Moses, Lindsay Obermyer, Eileen Ryan, Susan Sensemann, SisterSerpents Artist Collective, and Mary Tobin.
                                                                            















This exhibit is intended to be a sampling of the WLA’s holdings related to Chicago Women Artists. We also have collections related to the following Chicago women artists: Barbara Blades, Barbara Cooper, Nichole Ferentz, Karen Hanmer, Linda Lewis Kramer, Margaret Lantermann, Silvia Malagrino, Olivia Petrides, Nancy Plotkin, Fern Shaffer, Michelle Stone, Maureen Warren and Toby Zallman. Please contact the archives at wlarchives@luc.edu for more information.
           

2.06.2012

Transformation of the Body - Ovid Would Approve

The Infinity Burial Project proposes alternatives for the postmortem body that promote and facilitate an individual engagement with the process of decomposition.  The Project features the development of a unique strain of mushroom that decomposes and remediates toxins in human tissue, the development of a decomposition ‘kit’, burial suits embedded with decomposition activators, and a membership society devoted to the promotion of death awareness and acceptance and the practice of decompiculture (the cultivation of decomposing organisms).  Founded and directed by Jae Rhim Lee, the Infinity Burial Project is funded by the Creative Capital Foundation, the Institüt für Raumexperimente/Universität der Künste Berlin, and the MAK Center for Art + Architecture.

VIEW JAE RHIM LEE’S TED TALK HERE




Documentation and Representation of the Body

After taking two weeks of healing scar photos, I'm comforted by some of James Elkins' thoughts on the representations of the body in art...



In the largest context of photography and disability and time passing, I  embrace....

What Photography Is -- a response to and inquiry of Roland Barthes's Camera Lucida. Elkins' argues that photography is not about representation, memory and meaning, instead he suggestion that photography informs us about how we see and what we see when we look at a photograph. "….photography is also about meaninglessness--its apparently endless capacity to show us things that we do not want or need to see--and about pain, because extremely powerful images can sear permanently into our consciousness." 

2.05.2012

Research - Eye to Eye

After seeing our installation at the Portrait Society show, Debra Brehmer mentioned that there is a long history of eye portraiture:
Eye portraits are considered to have their genesis in the late 18th Century when the Prince of Wales (to become George IV ) wanted to exchange a token of love with the Catholic widow (of Edward Weld who died 3 months into the marriage) Maria Fitzherbert . The court denounced the romance as unacceptable, though a court miniaturist developed the idea of painting the eye and the surrounding facial region as a way of keeping anonymity. The pair were married on December 15, 1785, but this was considered invalid by the Royal Marriages Act because it had not been approved by George III, but Fitzherbert’s Catholic persuasion would have tainted any chance of approval. Maria’s eye portrait was worn by George under his lapel in a locket as a memento of her love. This was the catalyst that began the popularity of lover’s eyes. From its inception, the very nature of wearing the eye is a personal one and a statement of love by the wearer. Not having marks of identification, the wearer and the piece are intrinsically linked, rather than a jewellery item which can exist without the necessity of the wearer.
-- from The Art of Mourning Blog

Elegant Examples from Wonderwall blog
Additional eye portraits for sale:



We wish we could find better frames than the goofy and cheap Chinese shit used for the exhibition.....we can!!!